array(3) { ["title"]=> array(40) { ["titlecode"]=> string(6) "R01119" ["titleComposers"]=> NULL ["composers"]=> array(1) { [0]=> array(23) { ["id"]=> string(36) "ec0ee93d-bab1-4ab0-a7a0-0a9a007a212d" ["cid"]=> int(1459) ["name"]=> string(14) "Schifrin, Lalo" ["firstName"]=> string(4) "Lalo" ["lastName"]=> string(8) "Schifrin" ["birthMonth"]=> int(6) ["birthDay"]=> int(21) ["birthYear"]=> int(1932) ["deathMonth"]=> NULL ["deathDay"]=> NULL ["deathYear"]=> NULL ["shortBio"]=> string(1639) "As a pianist, composer and conductor, Lalo is equally at home conducting a symphony orchestra, performing at an international jazz festival, scoring a film or television show, or creating works for the Los Angeles Chamber Orchestra, the London Philharmonic and even The Sultan of Oman. As a young man in his native Argentina, Lalo Schifrin received classical training in music, and also studied law. Lalo continued his formal music education at the Paris Conservatory during the early 1950?s. Simultaneously, he became a professional jazz pianist, composer and arranger, playing and recording in Europe. In the mid 1950?s, he formed his own big concert band. It was during a performance of this band that Dizzy Gillespie heard Schifrin play and asked him to become his pianist and arranger. In 1958, Schifrin moved to the United States and thus began a remarkable career. He has written more than 100 scores for films and television. Among the classic scores are ?Mission Impossible,? ?Cool Hand Luke,? ?Dirty Harry,? ?The Cincinnati Kid? and ?Amityville Horror.? Among Schifrin?s other conducting credits are the London Symphony Orchestra, the London Philharmonic Orchestra, the Vienna Symphony Orchestra, the Los Angeles Philharmonic, National Symphony Orchestra of Argentina, the Sydney Symphony Orchestra, and the Lincoln Center Chamber Orchestra. As a jazz musician he has performed and recorded with great personalities such as Dizzy Gillespie, Sarah Vaughan, Ella Fitzgerald, Stan Getz, Count Basie and others. Schifrin has been married to his wife, Donna, for more than 30 years and has three children, William, Frances and Ryan." ["longBio"]=> string(3105) "Lalo Schifrin is a true Renaissance man. As a pianist, composer and conductor, he is equally at home conducting a symphony orchestra, performing at an international jazz festival, scoring a film or television show, or creating works for the Los Angeles Chamber Orchestra, the London Philharmonic and even The Sultan of Oman. As a young man in his native Argentina, Lalo Schifrin received classical training in music, and also studied law. He came from a musical family, and his father, Luis Schifrin, was the concertmaster of the Philharmonic Orchestra of Buenos Aires at the Teatro Colon. Lalo Schifrin continued his formal music education at the Paris Conservatory during the early 1950?s. Simultaneously, he became a professional jazz pianist, composer and arranger, playing and recording in Europe. When Schifrin returned to Buenos Aires in the mid 1950?s, he formed his own big concert band. It was during a performance of this band that Dizzy Gillespie heard Schifrin play and asked him to become his pianist and arranger. In 1958, Schifrin moved to the United States and thus began a remarkable career. His music is a synthesis of traditional and twentieth-century techniques, and his early love for jazz and rhythm are strong attributes of his style. ?Invocations,? ?Concerto for Double Bass,? ?Piano Concertos No. 1 and No. 2,? ?Pulsations,? ?Tropicos,? ?La Nouvelle Orleans,? and ?Resonances? are examples of this tendency to juxtapose universal thoughts with a kind of elaborated primitivism. In the classical composition field, Schifrin has more than 60 works. He has written more than 100 scores for films and television. Among the classic scores are ?Mission Impossible,? ?Mannix,? ?The Fox,? ?Cool Hand Luke,? ?Bullitt,? ?Dirty Harry,? ?The Cincinnati Kid? and ?Amityville Horror.? Recent film scores include ?Tango,? ?Rush Hour,? ?Rush Hour 2,? ?Rush Hour 3,? ?Bringing Down The House,? ?The Bridge of San Luis Rey,? ?After the Sunset,? and ?Abominable.? Among Schifrin?s other conducting credits are the London Symphony Orchestra, the London Philharmonic Orchestra, the Vienna Symphony Orchestra, the Los Angeles Philharmonic, the Israel Philharmonic, the Mexico Philharmonic, the Houston Symphony Orchestra, the Los Angeles Chamber Orchestra, the Mexico City Philharmonic, the Atlanta Symphony Orchestra, the Orchestra of Saint Luke (New York City), the National Symphony Orchestra of Argentina, the Sydney Symphony Orchestra, and the Lincoln Center Chamber Orchestra. It is Schifrin?s ability to switch musical gears which makes him so unique in the music world. As a jazz musician he has performed and recorded with great personalities such as Dizzy Gillespie, Sarah Vaughan, Ella Fitzgerald, Stan Getz, Count Basie, Jon Faddis, James Moody, Louie Bellson, and Kenny Burrell. Schifrin has been married to his wife, Donna, for more than 30 years. His three children include William, who is a writer for films and television; Frances, who is an art director/designer; and Ryan, who is a film writer/director. For more information on Lalo Schifrin, please visit www.schifrin.com." 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The second movement is joyful in character and is loosely based on the rhythms of Israeli folk dances. Commissioned by the Israel Philharmonic Orchestra, Capriccio was recorded by David Scifrin with the Adelaide Symphony on Aleph Records." ["instrumentation"]=> string(31) "Clarinet Solo: String Orchestra" ["commission"]=> string(49) "Commissioned by the Israel Philharmonic Orchestra" ["dedication"]=> string(0) "" ["programNotes"]=> string(988) "The Capriccio is primarily a study for clarinet, in the sense that it explores the different possibilities of the instrument -- its capacity to express somber and menacing moods or luminous landscapes and its great technical agility. The piece is in two movements. The first one is rather introspective, and its internal tonal structure is based on the extension of middle eastern scales into a polymodal language. This result is achieved by a rigorous manipulation of internal-relationships. The second movement is joyful in character and is loosely based on the rhythms of Israeli folk dances. The piece is truly 'concertante' since the string orchestra is used not only to provide a framework for the soloist but to stimulate an organic and functional dialogue. The Capriccio for Clarinet and Strings was premiered in 1981 by the Israeli Philharmonic with Elie Eban as soloist, and was later performed by the Los Angeles Chamber Orchestra with David Shifrin as soloist. --Lalo Schifrin" ["brandSeries"]=> int(2) ["yearComposed"]=> string(4) "1998" ["copyrightNumber"]=> string(0) "" ["copyrightYear"]=> string(0) "" ["duration"]=> int(10) ["ensembleSize"]=> int(13) ["dateCreated"]=> string(19) "2008-10-31T00:00:00" ["dateUpdated"]=> string(23) "2023-06-25T01:13:47.577" ["inhouseNote"]=> string(0) "" ["bscCode"]=> string(0) "" ["textAuthor"]=> string(0) "" ["premierPerformanceMemo"]=> string(232) "-David Shifrin, clarinet. Idyllwild Arts Academy Orchestra/ Ransom Wilson. 18, 21 May 2004. -David Shifrin, clarinet. Los Angeles Chamber Orchestra/ Gerard Schwartz. -Elie Eban, clarinet. Israeli Philharmonic/ Lalo Schifrin. 1981." ["recordingCredits"]=> string(85) "Recorded by David Shifrin with the Adelaide Symphony Orchestra, Aleph Records CD 037." ["review"]=> NULL ["awards"]=> string(0) "" ["titleCategory"]=> int(7) ["titleInstrumentHeader"]=> int(42) ["titleInstrumentCategoryText"]=> NULL ["titleSubCategory"]=> int(100) ["titleSubCategoryText"]=> NULL ["titleGrade"]=> NULL ["titleMovements"]=> NULL ["setSeriesId"]=> NULL } ["message"]=> NULL ["success"]=> bool(true) }